Natalie Hunter is from Hamilton, Ontario, Canada. Working across photography, installation, sculpture, and the moving image, she is mostly known for her multilayered and experiential photo-based installations on transparent film. Her studio practice engages with the poetics of time, memory, temporality, chance, perception, the archive, and the senses - with an emphasis on embodied experience, perception, materiality, personal memory, and identity.

Natalie Hunter is the recipient of many Canada Council for the Arts Research and Creation Grants, and Ontario Arts Council Visual Artists Creation Project Grants. She has shown her work in public art galleries and artist-run-centres, including: Rodman Hall Arts Centre, Art Gallery of Hamilton, Smokestack Gallery, Hamilton Supercrawl, Hamilton Winterfest, University of Waterloo Art Gallery, Art Gallery of Windsor, Thames Art Gallery, Mississauga Living Arts Centre, Centre 3 for Artistic and Social Practice, Factory Media Centre, Hamilton Artists Inc., Latcham Art Centre, Museum London, Propeller Art Gallery, John B. Aird Gallery, Gallery TPW, G44, Londsdale Gallery, University of Manitoba School of Arts Gallery, The Reach Gallery Museum, and Capture Photography Festival, Niagara Artists Centre, and the Judith & Norman Alix Art Gallery, among others. Her work has been featured in Hamilton Arts and Letters, Femme Art Review, The Gathered Gallery, Other Peoples Pixels blog, Canadian Journal of Culture Studies, and BlackFlash Magazine. She holds an MFA from the University of Waterloo where she is a sessional instructor, and received an Excellence in Online Teaching Award (2017). She lives and works in her home city of Hamilton, Ontario, Canada.